Worldwide Box Office: “Clayface” No. 1 at $23 million, “Resident Evil” reaches $400 million WW

It was a horrible weekend at the global box office, but a lot of that has to do with the fact that there’s no major Hollywood release (or local blockbuster title in China for that matter) more than the Halloween holiday itself impacting ticket sales worldwide.

If there’s any indication of how bad the weekend was, the Imax exhibitor made just $6 million last weekend worldwide thanks to a combination of The Odyssey ($1.3M WW), resident Evil ($900,000 WW), NatGeo Doc Everest: the other side ($825,000) and a myriad of dishes in the local language.

While Halloween puts a damper on the domestic box office, that’s not necessarily the case worldwide. Holidays are big in the UK, not so much in Spain and France; the latter market still impacted by protests. Dia de los muertos is the big event in Mexico and other Latin American countries, which has an impact on cinema.

The Nathan Fielder and Elizabeth Holmes documentary You can see everything has only stamped a passport for Turkey at the moment, so no major revenue coming from overseas (where Sony owns the bulk) leaving Warner Bros/DC clay face like the great macher with $22.8M WW ($10.4 million weekend domestic, $12.4 million overseas), for a cumulative total of $83M WW on a net production of $44 million ($44.1 million domestic, $38.9 million international). You can See all opens in Australia on November 12 and in the UK on November 20.

Totals updated on clay face are United Kingdom ($6.1 million), Australia ($2.5 million), Mexico ($2.5 million), France ($2.4 million), Brazil ($1.7 million), Italy ($1.7 million), Spain ($1.4 million), Saudi Arabia ($1.4 million), Germany ($1.3 million), United Arab Emirates ($1.2 million), Taiwan ($949 000 dollars) and Korea ($891,000).

Rate the global on Universal/Blumhouse Atomic Monster’s Other momthe other horror model on the market, stay ahead of clay face because he started his platform earlier, of course, this photo with a $8.4 million fourth world weekend and $107.4M WW ($51.8 million international, $55.6 million domestic). Other mom opened to $1.5 million in Germany, #2 in the market behind the local hit sequel The perfect Urlaub. This weekend is in line with Rise of the Evil Dead And M3GAN and outperformed all other key compositions, including Smile, Weapons And The black phone. Spurred by Halloween, Saturday’s opening is the biggest for a non-franchise horror this year, beating Obsession And Behind the scenes. In the Netherlands, Other mom opened with $400,000, in line with M3GAN and above Smile, The black phone And Black phone 2. Austria opened at $300,000, performing better Smile, Weapons And Black phone 2. German-speaking Switzerland debuted at $200,000 in line with M3GAN, above Smile And Weapons and more than double The black phone And Black phone 2. In the Czech Republic and Slovakia, Other mom made a good debut and ranked No. 1 in the Czech Republic. Together, these markets total $185,000 for the weekend, in sync with The black phone and above Smile And Black phone 2.

Peyton Elizabeth Lee plays Prue McKeel in

Peyton Elizabeth Lee as Prue McKeel in ‘Wildwood’

Courtesy of Laïka

Number 2 at the weekend’s global box office is Laika Wildwood with $12.3 million second global framework ($7.5 million domestically, $4.8 million overseas), and a running sum of $35.8 million ($25 million domestic, $10 million overseas), well ahead of the lifespan of the stop-motion animation studio’s previous feature, Missing link ($26.5 million). FilmNation handles overseas distribution. The Travis Knight-directed film expanded to 36 new international territories this weekend, bringing its release to 47 countries, with more than two dozen markets still to open in the coming weeks and months. Wildwood opened at #1 in Sweden and ranked #2 in Brazil, #3 in Mexico, Argentina and Chile. During its second weekend, Wildwood is #3 in Australia. The release of Black Bear Wildwood in the UK, at 683 cinemas, it had a second weekend of $867,000 and a running cume of $3.7 million.

'Wicker'

Olivia Colman and Alexander Skarsgård in “Wicker”

Photo courtesy of Black Bear

Speaking of Black Bear, they were also at number one in the UK this weekend with their Olivia Colman-Alexander Skarsgård featuring Wicker which grossed $2.2 million ($2.3 million if we count previews) in 676 theaters. This result surpassed his fellow opener Prime time. WickerThe start of beat the British bows of Poor things, senses and sensitivity And The shape of water. With a domestic production of $13.2 million, this $10 million net production (which Black Bear acquired in North America for $2.5 million) represents a worldwide gross of $13.2 million. $15.5 million WW.

Austin Abrams in

Austin Abrams in “Resident Evil” (2026)

Released by Sony Pictures/courtesy Everett Collection

Sony/Constantin resident Evil continues to show that it was never dead at the box office with a huge a total sum of 400 million dollars ahead of horror references such as Sinners ($371.6 million), that of Zach Cregger Weapons (which he surpassed some time ago to become the filmmaker’s most profitable film ($270M), The nun ($366 million), and is $30 million short of surpassing 1973’s lifespan. The Exorcist ($430 million). It’s also $600,000 to surpass A24’s highest-grossing film of all time, Behind the scenes ($400.6 million).

Seventh weekend posted $10 million WW ($2.5 million domestic, $7.5 million in 66 markets and over 21,500 screens) for $242.7 million overseas and $157.3 million in North America. resident Evil is the third highest-grossing horror film of all time in China and the biggest installment of the franchise worldwide. The best performing territories are: China $71.4 million, UK $19.4 million, Mexico $12.7 million, Australia $9.6 million, Japan $12.7 million, France $9.5 million, Germany $9.3 million, Spain $8.2 million.

Matt Damon as Ulysses in

Matt Damon as Ulysses in “The Odyssey”

Universal

Universal The Odyssey continues to take victory laps with Christopher Nolan’s highest-grossing film and Universal’s ($1.799 billion WW) is now celebrating having the biggest international cume of all time for a UK theatrical release at $1.17 billionin front Furious 7That’s $1.16 billion. Domestic finished at $625.5 millionexit Jurassic world as the highest-grossing Universal film at the North American box office ($653.4 million). Eighty-four territories delivered $2.66 million For Odyssey this weekend with China’s 12th weekend at $300,000 and grossing $116M; Belgium #1 with a 16th weekend of $300,000 and a cume of almost $17 million, Germany with $300,000 and a cume of $68.4 million and Japan adding $200,000 in weekend 8 for a cume of $15.6 million.

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